Field Day 08 - Ancient Americas
Summoned to the Field Museum of Natural History
by the Fuertes exhibit discussed below,
how could I ignore the rest of it?
Beginning with this dramatic mural,
where the north wall meets the ceiling
overlooking the great hall
dominated by the reconstructed skeleton
of the mighty T-Rex.
(whose tail is in the foreground)
What a fine painting!
At least -- the landscape part of it.
John Gurche's lumpish dinosaur
looks a bit too much
like the meticulously reconstructed
model on which it was based.
(i.e. Gurche needs to look more often at living reptiles)
Virtual Ice Age
Nobody can do the entire museum in one day,
so this trip was devoted to the exhibit of
"The Ancient Americas"
The animated mural shot above is more fun
than an adult deserves to have.
It takes up the entire wall of a narrow, curving hallway
giving one the feeling
of being immersed in a pre-historic forest
with passing clouds, flocks of birds and
... a thundering herd of mastodon!
(you can see a few profiles of them off to the left)
It's the same stuff the museum has always had,
but it all used to be in dark, cavernous halls
within dreary display cases.
Now .. the space is just as lively
as the designs on the above S.W. Indian pots.
Here's a map of the region.
In 2006, the Art Institute had an exhibit
of pots from Casa Grande and the Mogollon areas
- one which I featured here
I really like these early American
geo-form paintings --
and I like the curved and
surfaces that they appear on.
It's so much more satisfying to me
than the rectangular panels
of the 20th C. geo-form painters.
And like the one shown above,
they seem to be esoteric maps of the truth
rather than personal expressions.
(that's just how they seem to me,
God knows what the painters had in mind)
1100-1200, New Mexico
These designs are so lively and swinging -
even more delightful than the similar patterns
one might find on a beautiful caterpillar.
1100-1200, New Mexico, Arizona
and of course,
the painting is reacting to the underlying
form of the pot
has a nice rambling rhythm.
(though not all of them feel this way to me)
I think these are made by canyon people,
living in a world of steep cliffs and steps
This is one that has suffered some wear on this side,
but it is such a nice shape
Here's the other side -- and whoa!
The design is perfect for it.
These people left no writing,
but it appears that they enjoyed the look of book shelves.
These kind of designs can look stiff and dull,
or vibrant and alive ( like the above)
We took a trip to the Arizona canyon area
about 10 years ago -- and I loved it.
Images of those magnificent, lonesome vistas
are burned into my mind.
I guess the principles here are attention to detail
(especially important if you're living on the edge of a cliff)
but important anywhere you want to stay alive.
Kayenta, New Mexico
I'm not sure that these artists
had exceptional skills,
to get them fluent
with the limited vocabulary
they were using.
Don't these appear to be an modern, urban environment ?
Especially the bottom one,
like lying on the pavement
and looking up at the tall buildings of Chicago
If these pots were people,
we would have to say
Those black lines in the middle seem to be a person,
indeed, they seem to be me,
trying to negotiate
through the mighty, boundless forces
that surround me.
(that the nice thing about designs on a jar,
as they disappear around the edge,
they seem to be as boundless as the horizon)
possibly there was some anxiety
or anger in this person's life
This one, too.
Some un-resolved issues here
(as the therapists might say)
moving a bit east for these pots,
the canyons and the jagged lines are gone.
Some nice, natural shapes
with a smoke patina
Going further south now,
these pieces come from the lost civilizations
of southwestern Mexico (300 Bc - 500 Ad)
Little is known about them
because they left no writing
and their artifacts have been unearthed by looters
instead of archeologist's.
One assumes they lived in villages
instead of great cities.
(since those have not been found)
But I think they had a
wonderful tradition of figure sculpture
(and recalled another exhibit of it here )
It feels cartoon-like
but not cartoon-ish
So the figures are fun,
but still serious
Moving a bit east - and a bit earlier
to this great urban center
that was roughly contemporary with the
Roman empire (200 BC - 700 Ad)
The strength is still there,
but what happened to the playfulness ?
I'm not sure these big Meso American cities
were at all preferable to life in
the small, coastal villages.
Mayan - royal dwarf (AD 250-900)
At least the Mayans
had this playful
But when we finally get to the Aztecs,
what could be scarier ?
Scary and powerful.
Might one suggest
that this part of the world
was lacking a transcendent
like Buddhism, Islam, Hinduism,
or Christianity ?
This piece is badly worn,
and has lost all its paint
still it's a lively sculpture
Maya - royal dwarf
(This is a post in progress,
and might take a week to complete)