The Man Upstairs
But God has also appeared in several sculptural reliefs, including his own, In "Hymn to Water", God the sculptor, is modeling Man.
Eight years earlier he represented the in-dwelling, feminine aspect of God, the Shekhinah, in a sculptural relief on the outside wall of Temple Har Zion in River Forest, Illinois.
Looking back through art history, Michelangelo's God is the best known.
Here, God makes Man.
Here, God makes the sun and moon
This face appears more severe and less loving that the one gazing at Adam.
Christian art has always been more interested in statues of Jesus and the Virgin Mary. They can serve as objects of devotion and supplication. God, the father, is too distant - and dangerous..
Earthquakes, tornadoes, plagues, and tsunamis are some of the "acts of God". Jesus would never harm a fly.
Here are a few more memorable representations of the Man Upstairs:
Ghiberti's God is more like a quiet, gentle father than the force that through the green fuse drives the flower.
It seems to belong in a movie theater - or Disneyland.
Michelangelo's "Moses" is the statue that Milton Horn's God most closely resembles - in both turbulent inner energy and that fine pair of horns emerging from his scalp.
Michelangelo gave Moses his horns because it's how the Vulgate Bible translated the Hebrew word for "shining".
Milton Horn gave God his horns as a tribute to Michelangelo - thereby invoking art history as well as deity.
And one might note that God has turned his face away from the viewer to communicate with an attendant angel. Perhaps the angel is dutifully awaiting a command - but as Milton once explained it to me, the angel is delivering a report - which makes more sense to me.
God was the prime mover - but He is not the continuous mover. He put things in motion - and then keeps track of how things are turning out.
Which should let him off the hook for all the bad stuff that happens every day - especially to Jews in the early 20th Century.
The true believer cannot expect God to get him out of every jam. But he can expect not to be alone.
The face of God is interesting - but the important content of this piece is turbulent, writhing power - the kind that spins out the galaxies as well as the double-helix of cellular biology.
It's as evident from the back as well as the front --- because, of course, the universe has no front and back.
One might well think of this as an abstract sculpture -- which occasionally takes the form of recognizable human features.
Here is the piece currently on display in my office at the store. God is flanked by the crown of His creation: beautiful young women.
On the right, my father presents "Gloria", his favorite model.
On the left, I present a Palette and Chisel model from about twenty years ago.
Showing my sculpture beside that of Milton and RJ is something of a dream-come-true for me.
Though - I might note that I am only person in the world who currently has any interest in owning these three statues. Horn's piece cost less than half the cost of casting it. My father's piece is only worth the cost of its re-cycled bronze. And my polyester resin piece is utterly ....... priceless.